Experimentation is the core of my process, while mark making is the primary activity. I begin most projects with a conceptual structure that yields to tangible materials, their interrelationships, and in installation, their relationships to a specific environment. I seek to understand spaces and interaction, and do so in any and all materials and approaches I can.

In recent projects, I find ways to make visible the residue of accumulated actions or unremarkable events within a space. Working with groups this year, I explore individual experiences of the same time and place. The projects ask: If we're in the same place at the same time, are we having the same experience? Does a visible trace of our paying attention further clarify the nature of space and our presence within it?